Zeiss

Gavin Smith CSC Captures Colorful Creativity of “Fraggle Rock: Back to the Rock! S2” with ZEISS Supreme Primes & ARRI Mini LF
October 11, 2024

Setting out to film the second season of Henson Group’s Fraggle Rock: Back to the Rock!, Gavin Smith, CSC (Wynonna Earp, Ginny and Georgia, Jane) knew he had some changes...

DP David Wells Lenses the Rapper/Actor Ludacris with Zeiss Nano Primes
October 3, 2024

When Austin-based cinematographer David Wells was handed the treatment for the C4 Energy sweepstakes featuring rapper and actor Ludacris, he knew this commercial would require out of the box thinking....

Henderson Lenses WNBA Legend in “Sue Bird: In the Clutch” with ZEISS CP.3 Primes
August 27, 2024

DP Henderson BTS on "Sue Bird: In the Clutch" When cinematographer Carissa Henderson joined director Sarah Dowland to shoot the award-winning documentary “Sue Bird: in the Clutch,” she had no...

Documentarian Jennifer Cox First DP to Shoot on ZEISS Nano Prime Lenses
August 7, 2024

In Spring 2024 documentary filmmaker Jennifer Cox received a pre-launch set of ZEISS Nano Prime lenses. These first ever high-speed (T1.5 throughout) cine lenses were designed specifically for mirrorless full...

DP Bongani Mlambo Chooses ZEISS LWZ.3 and CP.3 for Indie Sci-Fi Road Trip Hit “We’re All Gonna Die”
July 2, 2024

DP Bongani Mlambo & Director Freddie Wong on set When independent filmmakers Freddie Wong and Matt Arnold approached Bongani Mlambo about their new film, We’re All Gonna Die, the Zimbabwean...

ZEISS CinCraft Scenario Camera Tracking Now Compatible with Most Popular Lens Brands
May 22, 2024

Scenario 2.0 introduces pre-calibrated lens templates and the Lens Template Finetuner, increasing flexibility and compability while also saving a great amount of time. CinCraft Export 1.0, released at the same...

Will Turner, DP Pairs ALEXA 35 & ZEISS Supreme Prime Radiance For Volume Shoot, Starring Quarterback Justin Herbert
April 3, 2024

Cinematographer Will Turner operates with ALEXA 35 and ZEISS Supreme Prime Radiance As volume stages and virtual production become ever more prevalent, cinematographers face new questions of how to make...

ASC-Nominated Sheldon Weaves ‘King Coal’ Lyrical Tapestry Shot with ZEISS CP.3 Lenses
January 31, 2024

Filmmakers Elaine McMillion Sheldon and Curren Sheldon have received accolades including an Oscar nomination and Emmy Award for their documentary filmmaking which frequently seeks to shine a light on their...

Yamit Shimonovitz Represents the Nuances of Trauma in ‘Let Us Prey: A Ministry of Scandals’ with ZEISS CP.3 Lenses
December 19, 2023

Cinematographer Yamit Shimonovitz is known for hard-hitting documentary work that often focuses on telling the stories of women or giving a voice to trauma. Cultural touchstones she has lensed include...

Aaron McLisky ACS, Selects ZEISS Supremes to Capture Realistic Look on Horror Hit “Talk To Me”
October 31, 2023

Behind the Scenes on Talk to Me-Photo Courtesy of Aaron McLisky, ACS Almost one year ago, Australian cinematographer Aaron McLisky ACS, accompanied the filmmakers of Talk To Me to the...