SACHTLER – The call of the mountains ski films with the Cine 7+7 HD and FSB 8 from Sachtler

SACHTLER – The call of the mountains ski films with the Cine 7+7 HD and FSB 8 from Sachtler

With his FSB 8 and Cine 7+7 HD fluid heads, cinematographer Tom Day always has a firm stand and quickly finds the right setting. © Markus Zimmermann

With his FSB 8 and Cine 7+7 HD fluid heads, cinematographer Tom Day always has a firm stand and quickly finds the right setting. © Markus Zimmermann

The call of the mountains — ski films with the Cine 7+7 HD and FSB 8 from Sachtler

Shelton, Connecticut, November 7, 2013 — It’s a tradition: for over 64 years, the ski season has begun in the theaters every year with a new action documentary by Warren Miller Entertainment. The promotional films tour the world, whetting the appetites of ski and snowboarding fans alike and encouraging them to partake in winter sports. For some years now, cinematographer and director Tom Day has been responsible for the creative realization of the films. While Day does not know where the assignment will take him prior to filming, he already has his equipment ready to go beforehand; during filming in the snow worldwide, he always relies on the Sachtler Cine 7+7 HD and FSB 8 fluid heads. Sachtler is part of Vitec Videocom, a Vitec Group company.

“There are three reasons for working with Sachtler fluid heads: Sachtler’s reputation in the film business, the long history of the company, and the reliability of the products,” explains the cinematographer. “Years ago, I started with the FSB 8 because it even functions properly at temperatures below freezing. For my shoots, I need a fluid head which can even resist freezing at -40 °C (-40 °F). Even in freezing temperatures, in the middle of hip-high snow, or during a snowstorm, the FSB 8 guarantees smooth panning and rotary movements. The reliability and robustness of the head during daily use made it easy for Tom Day to decide to buy another Sachtler head; he chose the Cine 7+7 HD, which has a particularly firm stand despite being relatively light for a 100-mm head — only 3.3 kg (7.2 lbs). “While filming on steep mountainsides, I needed a head with a higher payload range and a 100-mm base. The Cine 7+7 HD is the perfect solution for me,” explains Tom Day. In addition to the payload range of up to 22 kg (49 lbs), the 100-mm head features practical sideload mounting for the camera plate. This allows for the Cine 7+7 HD to be quickly and easily laterally mounted on the pre-assembled set-up — a great advantage for operators like Day, who often wear gloves in the cold.

Both fluid heads provide Tom Day with a high level of versatility when he works on the slopes: “If my set-up is lighter than 10 kilograms (22 lbs), I use the FSB 8. If the set-up is heavier, then my Cine 7+7 HD will be used. This way, I can cover the entire range.” He also appreciates the exact counterbalance and damping settings. “Nowadays, I could no longer do without the ten- or 16-step counterbalance. With the tried-and-tested step-shifting system, I can quickly change my camera set-up or exactly reproduce a previous setting,” explains Tom Day. “After doing this, I can easily do fine-tuning via the camera plate.”

For this year’s filming of the Warren Miller film “Ticket to ride,” the crew travelled to Switzerland, Greenland and Norway. Once there, he filmed with professional skiers such as Ted Ligety, Mark Abma, Colby West, Kaylin Richardson and Michelle Parker. The promotional film begins touring on November 2. The film is scheduled to be shown on more than 50 dates in Germany, Austria, and Switzerland and in many cinemas worldwide.

For more information visit www.sachtler.com or contact: Sachtler, 16 Progress Drive, Shelton CT 06484, Phone: 1 203-929-1100, Fax: 203-925-2684, Email: info.videocomamericas@vitecgroup.com

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Photo caption: With his FSB 8 and Cine 7+7 HD fluid heads, cinematographer Tom Day always has a firm stand and quickly finds the right setting. © Markus Zimmermann

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About Sachtler

Sachtler, founded in 1958 by cameraman Wendelin Sachtler, is a worldwide market leader for professional camera support systems for cinematography and television production, its name a symbol of top quality and reliability for decades. With an extensive range of camera support systems as well as a finely modulated product line of reportage lighting, Sachtler is the highly qualified partner for broadcast and film applications. Since 2000 Sachtler has been offering the artemis modular camera stabilizer system. With its numerous workshops and training sessions, the Wendelin Sachtler Academy has become a top address worldwide for invaluable know-how and the exchange of information, creating the ideal international platform for creative talents.  Along with other leading brands in the broadcast and professional videographer industry, Sachtler is part of Vitec Videocom, a Vitec Group company.  For more information on Sachtler, visit www.sachtler.com

About Vitec Videocom

Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely on worldwide.

Vitec Videocom – innovative products around the camera.

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